31 Screams in October, Vol. 3, #30: From Dusk Till Dawn (1996)

Posted: October 31, 2016 in Movie Review
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30. From Dusk Till Dawn (1996)

Director: Robert Rodriguez

Starring: Harvey Keitel, George Clooney, Quentin Tarantino, Juliette Lewis, Ernest Liu, Salma Hayek, Cheech Marin, Danny Trejo, Tom Savini, Fred Williamson, Michael Parks

It really doesn’t feel like it’s been 20 years since “From Dusk Till Dawn” was unleashed upon the world. In fact, it almost feels like it could have happened yesterday… or even overnight. The thing that best serves to keep this movie fresh in the mind is how effortlessly it is able to combine two completely different genres into one beautiful package. Add to that the fact that the script was written by Quentin Tarantino (as his first paid Hollywood writing gig) and an excellent cast of characters, and you have a classic modern horror movie on your hands.

Bank robbing brothers Seth (George Clooney) and Richie Gecko (Quentin Tarantino) are on the run, both from the FBI and law enforcement of the State of Texas. They’ve already killed a few cops, feds and civilians, and two more casualties soon follow at a liquor store. On top of it all, they’ve also kidnapped a bank clerk, to whom Seth has promised she will live as long as she does all that they ask of her. Unfortunately, Richie has a bit of an impulse control problem. He rapes and murders the woman while Seth has stepped out of their motel room to pick up some hamburgers.

Meanwhile, a family of three driving an RV fatefully stops to rest at the very same motel. Jacob Fuller (Harvey Keitel) is a former preacher who lately has questioned his faith following the death by auto accident of his wife. Jacob and his children, Kate (Juliette Lewis) and Scott (Ernest Liu), are to be the Gecko brothers’ next hostages. Forcing Jacob to drive past the Mexican border, the Gecko brothers’ destination is a strip club called the Titty Twister, where are supposed to rendezvous at dawn with a man named Carlos. Until that time, they intend to enjoy themselves, and encourage the Fullers to do the same.

The fun only lasts a short while. After a very sexy show from the featured attraction, Santanico Pandemonium (Salma Hayek), the truth of this place is revealed: All of the employees (the girls, the bartender, the band, Santanico and others) are in fact vampires! Most of the truckers and bikers who’ve shown up to eat, drink and get their rocks off are killed within minutes. Richie himself is bitten and killed by Santanico. When Richie turns, Seth is forced to drive a wooden stake through his heart. By the end of the initial assault, the only ones who still have a pulse are Seth, Jacob, Kate, Scott, Sex Machine (Tom Savini) and Frost (Fred Williamson).

As the survivors commit to dealing with the dead bodies so as to prevent them from rising up again, one of them bites Sex Machine on the arm. Gradually, he turns into a vampire. When he does, Sex Machine bites both Frost and Jacob. As Frost becomes a vampire, he tosses Sex Machine through a door, allowing a second wave of vampire to fly in as bats. Retreating to a storage room, Seth, Kate and Scott and an injured Jacob (wielding a shotgun) make the most out of what they can find to create weapons to be used against the vampire horde. This includes a Super Soaker with holy water (for Scott), a crossbow (for Kate), and a rather phallic pneumatic drill with an attached wooden stake (for Seth).

Going back out into the crowd of vampires, the group begins to fight back. Jacob doesn’t last long before he changes and bites Scott. Kate is forced to kill her father, and then her brother as well. Having lost their weapons in the fracas, Seth and Kate are down to one gun with a scant amount of ammunition. Daybreak arrives, and the sunlight starts to peek through the holes in the walls, made by earlier gunfire. Seth instructs Kate to create more holes, but it’s only partially effective, as the vampires continue to close in on them. Just then, Carlos (Cheech Marin) and his men show up outside. Seth hollers at him to shoot down the doors, which then exposes all the vampires inside to sunlight, killing them in a fiery explosion. Expressing anger at Carlos’s ignorance of just what kind of establishment that the Titty Twister turned out to have been, Seth makes their planned exchange, and give some of the money to Kate. Afterwards, Seth sends Kate on her way back home, while he departs for El Rey, Mexico.

The second-best movie I’ve watched all month (behind only “Psycho”), I have long considered “From Dusk Till Dawn” to be a fantastic movie in every conceivable way. It’s horrific (thanks to wonderful makeup effects from KNB), it’s well-acted… George Clooney in particular is just superb… and expertly written. I love the fact that it’s essentially two movies for the price of one, starting off as a action-crime getaway movie before transforming into a vampire flick at the sixty-minute mark.

I kinda wish we’d seen a little more from Tom Savini’s Sex Machine, as he’s just hilarious. Cheech Marin, a veteran of Robert Rodriguez’s films, plays three roles: in addition to Carlos, he also shows up as a border patrol officer and as one of the vampires. Greg Nicotero (best known today for his directing and supervision of the makeup effects on TV’s “The Walking Dead”), in addition to working on the makeup effects for “From Dusk Till Dawn,” also cameos as a biker from whom Sex Machine steals a beer. Although Nicotero’s character dies off-screen in the final cut of the film, a deleted scene shows that his head is bitten off by Santanico Pandemonium.

If you love the work of Quentin Tarantino but never have bothered with “From Dusk Till Dawn,” you’re missing a lot! Everything that makes a Tarantino script great is present here. If you’re a “Walking Dead” fan and love the gore that the show provides… same answer, except that it probably would have been even better before cuts were made to bring the movie down to an R-rating. Basically, you can’t go wrong. As fresh now as it was in 1996. Two decades from now, you’ll doubtless be able to say the same thing, because “From Dusk Till Dawn,” like the creatures of the night that it depicts, is immortal.

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Comments
  1. Sylvia Williams says:

    I’m with you about this one. It remains one of my top favorites if this genre.

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