Director: Dwight H. Little
Starring: Donald Pleasence, Ellie Cornell, Danielle Harris
Sir Arthur Conan Doyle once tried to kill off Sherlock Holmes, but his readers wouldn’t have it. So, Doyle had to come up with an explanation as to why it had only appeared that Holmes and his nemesis, Professor Moriarty, had apparently died together from a fall off a cliff. After the abysmal failure of “Halloween III: Season of the Witch,” the late Moustapha Akkad was left with a similar task to Doyle’s. The final scene of “Halloween II” saw both the psychotic, knife-wielding killer Michael Myers and his ‘Holmes,’ Dr. Sam Loomis (Donald Pleasence), apparently burning to death in a gas fire explosion at Haddonfield Memorial Hospital. Although Jamie Lee Curtis had given him an out by declining to return, Akkad was still left with the unenviable task of finding a way of explaining how his series’ other two main characters could have survived.
At the film’s beginning (which was originally to have included an introduction explaining what REALLY happened at the end of Film #2), we learn that neither Dr. Loomis nor Michael Myers had perished in the fire at the hospital. It is now ten years after that brutal night, and Michael is in heavy bandages and lies in a coma at Ridgemont Federal Sanitarium, from where he is being prepped for transfer to Smith’s Grove. The ambulance crew make the mistake of mentioning the existence of his niece, Jamie Lloyd (Danielle Harris), and Michael suddenly awakens and kills everyone in the ambulance.
Learning of the incident, a heavily scarred Dr. Loomis is quickly on the scene, where he and others find the ambulance lying on its side in a creek, twisted and blood-stained. Although the severity of the wreck makes it impossible to tell who’s who among the casualties, Dr. Loomis knows Michael is not among them. Despite the sheer implausibility of anyone suddenly waking from a decade-long coma with muscles that haven’t atrophied, this does make for a visually exciting beginning. Loomis knows Michael will be heading back to Haddonfield to hunt down his niece, and races to warn Sheriff Meeker (Beau Starr) to be ready for Myers’ impending arrival.
After locating Jamie and her older stepsister, Rachel (Ellie Cornell), Loomis and Meeker are horrified to discover that Michael has annihilated everyone inside the police station. It is at this time that a band of vigilantes from the local bar arrive on the scene and take it upon themselves to track down and kill Michael. This prompts the Sheriff to call for official police reinforcements, blockading Rachel, Jamie, Brady (Sasha Jenson) and Kelly (Kathleen Kinmont) inside the Meeker home. It isn’t long before Michael shows up at the house, killing a deputy, Kelly (pinning her to a wall by shoving a shotgun through her!) and then Brady, and chasing Rachel and Jamie up onto the roof in one of the film’s more memorable scenes.
Both of the girls eventually fall to the ground below, and Dr. Loomis escorts Jamie to the schoolhouse, trying unsuccessfully to subdue Michael. This leads to perhaps the most preposterous scene in the whole movie (and yes, that includes Michael awakening from his coma with full strength and the aforementioned shotgun impalement). The group of vigilantes arrive in their truck to take the girls out of town, and thus out of danger. But Michael has other ideas, hitching a ride on the truck unbeknownst to everyone. From there, he somehow manages to individually dispose of every single one of the vigilantes without the rest of them ever hearing a sound. Never mind that he makes a ton of noise accomplishing this feat. He eventually kills the driver, too, (and in the movie’s bloodiest scene of all) by ripping the man’s neck wide open. Eww.
Rachel takes control of the truck and rams right into Michael, knocking him senseless several feet away. Although she is told to stay in the truck, Jamie gets out anyway and touches hands with her uncle. Sheriff Meeker then arrives with the squad of deputies, who raise their guns just in time to keep Michael from stabbing his niece from behind, sending him crashing into an old mine shaft. No way he’s getting out of there, right? Hey, if he can survive getting freaking burned alive in a gas fire…!
Back at the Carruthers home, all seems quiet. Even Dr. Loomis, although injured from the battle at the schoolhouse, appears to be all right. Jamie’s stepmom decides to draw her a bath. Jamie is still wearing her Halloween costume, which looks strikingly similar to the one worn by her uncle the night he killed his older sister Judith in 1963. Sure enough, Jamie puts on her mask, grabs a pair of scissors from the next room, enters the bathroom and stabs her stepmom. The shrieking alarms Dr. Loomis, who races to find Jamie at the top of the stairs, covered in her stepmom’s blood, and still wielding the scissors. Mortified by the scene in front of him, Dr. Loomis instinctively pulls out his gun, intending to kill Jamie. Sheriff Meeker wrestles the gun from Loomis’s hand and spins around to look up at Jamie. Rachel and Jamie’s stepfather arrive just afterwards. Everyone is in shock. Loomis in particular is both horrified and saddened, crumpling to the floor and able only to utter the word “No!” over and over. It appears that Evil has been passed (rather than destroyed) from uncle to niece and that Innocence has been corrupted once again.
What would have otherwise been an okay, yet totally unnecessary sequel is made ten times better by its conclusion. No matter how many times I have personally seen it, that final image of 11 year-old Danielle Harris wearing the bloody Halloween clown costume and holding up the pair of scissors in striking position is hard to erase from my mind. I just wish the producers would have had the guts to run full steam with this ending into the next (inevitable) sequel, because I think then that “Halloween 5” could have had the potential to become the most terrifying film in the franchise, or at least the best of the sequels.
“Halloween 4: The Return of Michael Myers” could have benefited from a little MORE restraint in the gore department, methinks. A couple of the deaths in this film are just plain ridiculous (in particular the previously mentioned Kelly Meeker). It’s Zombie Jason of the latter “Friday the 13th” sequels ridiculous. I also wish they could’ve gotten a more imposing mask for George Wilbur to wear in this film. Danielle Harris’s clown mask was scarier than that silly thing… even before the final shot! Still, a very decent entry in one of the greatest of all horror film series.